Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Emilia took our wooden ‘O’ by storm in late 2018, celebrating women’s voices the world over through the story of a trailblazing, forgotten woman, Emilia Bassano. 400 years ago, Emilia wanted her voice to be heard. In 1611 she penned the words to her ‘Vertuous Reader’ as part of a volume of radical, feminist and subversive poetry. Yet the little we know now of Emilia is restricted to the possibility that she may have been the ‘Dark Lady’ of Shakespeare’s Sonnets – and the rest of her story has been erased by history. Morgan Lloyd Malcolm’s acclaimed play revealed the life of Emilia: writer, wife, lover, mother, muse.

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Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.

Dr. Emilia Seiler, a consultant at the Bavarian Ministry of Social Affairs and responsible for youth homes in Upper Bavaria, takes over the educational management of a youth home in Landsberg am Lech on an interim basis, as the manager in charge has been suspended.The home was founded in accordance with the "Home instead of detention" guidelines she had drawn up. She immediately clashes with the home's managing director, Mathias Hartmann, who is primarily interested in the home's balance sheets. But her greatest concern is for Martina, one of the home's residents, who had reported the former director for sexual abuse and is highly suicidal.

Go behind the scenes of this Oscar-nominated, genre-defying film with director Jacques Audiard and stars Karla Sofía Gascón, Zoe Saldaña and Selena Gomez.